The subject of westward exploration and colonization has interested me for as long as I have been working with landscape. In America, photography and the settlement of the West of have been long connected, as the medium was born during a time when documenting the landscape was of utmost significance.
One of my goals with this project is to retrace the steps of Norse explorers from their homeland to the New World, passing through Greenland and into Newfoundland and Labrador. The Viking homeland consists of the Scandinavian countries we know today as Sweden, Denmark and Norway. Typically, Viking explorers and merchants based in Sweden would travel east into Russia and down to Constantinople. As Norway faces west toward the open sea, these Vikings tended to travel west, towards England, Ireland, the Hebrides and Iceland. It is these lands to the north and west that Norse explorers are said to have colonized, settled, or even discovered (from a European perspective).
As a Canadian, I feel connected to their Westward travel routes as the Norse can be credited for being the first Europeans to discover and attempt settlement in the New World circa the year 1000, unlike previously documented history, which attributes that claim to Columbus in 1492. It is hard to believe that it was only in 1960, when a Viking-age cloak pin was unearthed at L’Anse aux Meadows that history was re-written.
More than a few circumstances made the discovery of the New World by the Norse a possibility. Combine the craftsmanship of Viking longships with political unrest in Norway, and a cultural resilience to the northern climate with a huge dose of chance, and voilà! Long story short, a Viking ship on-route to Greenland is blown off course and discovers new land.
Of course, I can’t take my journey along these routes too literally. First of all, I am travelling mostly by plane and car. When I did travel by boat from Greenland and down the coat of Labrador, I was overcome with seasickness, making the seafarer’s reality that much more vivid. I am also visiting areas of the Nordic landscape in parcels, and not necessarily from East to West. In fact, my story began in Newfoundland, when I produced the series titled Unmarked Sites.